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Priceless documentary film of Al Jazzbeaux Collins aka Al Jazzbo Collins, by Jon Hammond - enjoy folks! - JH:
©JON HAMMOND International
The late great radio and TV broadcaster personality Al Jazzbeaux Collins in the studios of KCSM Jazz 91 with organist Jon Hammond - aka Al Jazzbo Collins, one of the greatest and most definitely coolest broadcasters who ever lived. *Note: I dearly miss Jazzbeaux, he was a huge inspiration to me personally. He broke out my music on the air back in New York on WNEW 1130AM huge powerful door he opened for me, we had a lot of fun together on both coasts - he introduced me to folks like Lionel Hampton, David Panama Francis, Lew Anderson band leader and Clarabell the Clown from It's Howdy Doody Time! TV Show, Joe Bushkin pianist, and his Family the Collins Family - he knew every door man garbage man and taxi drivers on the street - rest in peace Albert! sincerely, Jon Hammond *including a clip from Live performance in Horizons Sausalito with funky James Preston drums on Jon Hammond Band https://en.wikipedia.org/wiki/Al_%22Jazzbo%22_Collins Albert Richard "Jazzbo" Collins (born January 4, 1919, Rochester, New York[1] — d. September 30, 1997, Marin County, California) was an American disc jockey, radio personality and recording artist who was briefly the host of NBC television's Tonight show in 1957.
The name "Jazzbo" derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW's interior design, as Collins explained:
I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, "Hi, it's Jazzbo in the Purple Grotto." You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with "Easy Listening Blues" playing piano in the background.
Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher's campus radio program, and decided he wanted to be in radio. He began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia. By 1943, Collins was broadcasting at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City's KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the "communicators" on NBC's Monitor when it began in 1955. Two years later, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2]
In 1957, Collins appeared, as himself, as the star of an episode of NBC radio's science fiction radio series X Minus One. He also hung out with the beatnik hipsters in North Beach during that time. In 1959, he was with KSFO in San Francisco. While at KSFO he would often say that he was broadcasting "from the purpleness of the Grotto". He often mentioned his assistant "Harrison, the long-tailed purple Tasmanian owl". During the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late 1960s: KMET (1966), KFI (1967) and KGBS (1968).
He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh's WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled "Jazzbeauxz (he spelled the possessive with a 'z.') Rehearsal". The show had nothing to do with any actual rehearsal, and was entirely an eclectic sampling of anything that caught Collins' interest at the time. One of those "interests" was a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show.
In the early 1960s Collins hosted a morning TV program, "The Al Collins Show," that aired on KGO-TV in San Francisco (the ABC affiliate). The format included light talk and guest appearances. The guest lineup typically included local or state-wide celebrities, and B-list actors, such as Moe Howard of The Three Stooges.
A popular segment on his show was the "no stinkin' badges" routine. Al would politely request the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) "I don't got to show you no stinkin' badges." If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al's opinion the guest got it right. Collins' bit was a play on a famous exchange in the 1948 film The Treasure of the Sierra Madre. In one scene some obviously very bad bandidos try to pass themselves off to Bogart as federales (police). Humphrey Bogart's character knows they are not federales but nevertheless asks to see some badges. The bandito-in-charge responds "Badges?! I don't got no badges. We don't need no badges! I don't have to show you any stinkin' badge." Collins reduced the guest bandit's lines to the single phrase so it was easy for the guest to recite.
In 1976 Al Collins returned to San Francisco working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast. He always opened with Count Basie's "Blues in Hoss flat". He also worked a late night shift at KKIS AM in Pittsburg, CA in 1980. After returning to New York and WNEW (1981), he was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), and then he joined KAPX (Marin County, California) in 1990, and from 1993 until his death, Jazzbeaux did a weekly jazz show at KCSM (College of San Mateo, California).
He died on September 30, 1997, at the age of 78, from pancreatic cancer. — with Al "Jazzbo" Collins, Al "Jazzbo" Collins and James Preston at KCSM Jazz 91
The name "Jazzbo" derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW's interior design, as Collins explained:
I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, "Hi, it's Jazzbo in the Purple Grotto." You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with "Easy Listening Blues" playing piano in the background.
Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher's campus radio program, and decided he wanted to be in radio. He began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia. By 1943, Collins was broadcasting at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City's KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the "communicators" on NBC's Monitor when it began in 1955. Two years later, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2]
In 1957, Collins appeared, as himself, as the star of an episode of NBC radio's science fiction radio series X Minus One. He also hung out with the beatnik hipsters in North Beach during that time. In 1959, he was with KSFO in San Francisco. While at KSFO he would often say that he was broadcasting "from the purpleness of the Grotto". He often mentioned his assistant "Harrison, the long-tailed purple Tasmanian owl". During the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late 1960s: KMET (1966), KFI (1967) and KGBS (1968).
He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh's WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled "Jazzbeauxz (he spelled the possessive with a 'z.') Rehearsal". The show had nothing to do with any actual rehearsal, and was entirely an eclectic sampling of anything that caught Collins' interest at the time. One of those "interests" was a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show.
In the early 1960s Collins hosted a morning TV program, "The Al Collins Show," that aired on KGO-TV in San Francisco (the ABC affiliate). The format included light talk and guest appearances. The guest lineup typically included local or state-wide celebrities, and B-list actors, such as Moe Howard of The Three Stooges.
A popular segment on his show was the "no stinkin' badges" routine. Al would politely request the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) "I don't got to show you no stinkin' badges." If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al's opinion the guest got it right. Collins' bit was a play on a famous exchange in the 1948 film The Treasure of the Sierra Madre. In one scene some obviously very bad bandidos try to pass themselves off to Bogart as federales (police). Humphrey Bogart's character knows they are not federales but nevertheless asks to see some badges. The bandito-in-charge responds "Badges?! I don't got no badges. We don't need no badges! I don't have to show you any stinkin' badge." Collins reduced the guest bandit's lines to the single phrase so it was easy for the guest to recite.
In 1976 Al Collins returned to San Francisco working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast. He always opened with Count Basie's "Blues in Hoss flat". He also worked a late night shift at KKIS AM in Pittsburg, CA in 1980. After returning to New York and WNEW (1981), he was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), and then he joined KAPX (Marin County, California) in 1990, and from 1993 until his death, Jazzbeaux did a weekly jazz show at KCSM (College of San Mateo, California).
He died on September 30, 1997, at the age of 78, from pancreatic cancer. — with Al "Jazzbo" Collins, Al "Jazzbo" Collins and James Preston at KCSM Jazz 91
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